For this project, I have chosen to work solo. With a pre-established and ambitious game concept, this approach grants me full creative control, allowing me to stay true to my vision without the difficulties of coordinating a team. By focusing solely on my own workflow and can streamline decision-making and eliminate potential delays that come from aligning a group of individuals with varying skills and schedules.
To ensure efficiency, I have a range of resources at my disposal. These include high-quality asset packs to accelerate scene design, copyright-free music and a library of models and code I’ve previously created, which can be reused or repurposed to move development.
Time Lapse of level creation on previous project using modular parts from Synty Asset Packs
Finished level
Additionally, I have built strong connections with talented peers and collaborators. For example, I have friends who can assist with more complex aspects like custom artwork and two extremely gifted music students from university that I met during the Phase IV Presentation at the John Hansard Gallery have expressed enthusiasm for contributing to the game’s soundtrack.
I fully acknowledge the challenges of undertaking a solo project, especially the demands on time and focus. To address this, I have developed a timeline/to-do list to keep myself organized and ensure steady progress. By allocating time effectively and avoiding bottlenecks, I am confident in my ability to maintain momentum throughout the development process.
With my technical expertise in coding, modelling and other development areas, a robust set of resources and the support of passionate collaborators, I am well-equipped to deliver a high-quality Final Major Project. This solo approach not only aligns with my goals but also allows me to showcase my skills and commitment to creating a compelling and polished game experience.